Eis um pequeno excerto de uma das primeiras obras de Don DeLillo, um dos inspiradores de Chuck Palahniuk. O livro chama-se "Os Nomes" e a tradução esteve a cargo de Maria Manuela Ribeiro. A edição é de 2003 para a colecção Mil Folhas. O original é de 1982.
- Já ninguém sabe escrevê-lo. São apenas sons. Viajou pela história com os judeus. Foi utilizado sozinho, foi misturado com outras línguas. Aramaico macarrónico. Foi transmitido pela religião e agora morre por causa da religião, por causa do Islão, do arábico. É a religião que transmite uma língua. O rio da língua é Deus.
E mais.
- O alfabeto é macho e fêmea. Se conhecermos a ordem correcta das letras, construímos um mundo, criamos. É por isso que eles ocultam a ordem. Se conhecermos as combinações, fazemos a vida e a morte.
Eis um pequeno excerto do último romance de Chuck Palahniuk, "Asfixia". Não sabem quem é? Trabalho de casa urgente: alugar e/ou comprar o DVD de "Clube de Combate", realizado por David Fincher a partir de outra obra do autor.
O texto que se segue é uma edição da Editorial Notícias, com tradução de Maria Dulce Guimarães da Costa.
Esta é uma carta de Neal Cassidy dirigida a Jack Kerouac. A data é de 7 de Março de 1947. Neste manuscrito Cassidy sugere a Kerouac que leia "Almas Mortas" de Nikolai Gógol.
I was sitting on the bus when it took on more passengers at Indianapolis, Indiana -- a perfectly proportioned beautiful, intellectual, passionate, personification of Venus De Milo asked me if the seat beside me was taken!!! I gulped, (I'm drunk) gargled & stammered NO! (Paradox of expression, after all, how can one stammer No!!?) She sat -- I sweated -- She started to speak, I knew it would be generalities, so to tempt her I remained silent.
She (her name Patricia) got on the bus at 8 PM (Dark!) I didn't speak until 10 PM -- in the intervening 2 hours I not only of course, determined to make her, but, how to DO IT.
I naturally can't quote the conversation verbally, however, I shall attempt to give you the gist of it from 10 PM to 2 AM.
Without the slightest preliminaries of objective remarks (what's your name? where are you going? etc.) I plunged into a completely knowing, completely subjective, personal & so to speak "penetrating her core" way of speech; to be shorter (since I'm getting unable to write) by 2 AM I had her swearing eternal love, complete subjectivity to me & immediate satisfaction. I, anticipating even more pleasure, wouldn't allow her to blow me on the bus, instead we played, as they say, with each other.
Knowing her supremely perfect being was completely mine (when I'm more coherent, I'll tell you her complete history & psychological reason for loving me) I could concieve of no obstacle to my satisfaction, well "the best laid plans of mice & men go astray" and my nemesis was her sister, the bitch.
Pat had told me her reason for going to St. Louis was to see her sister; she had wired her to meet her at the depot. So, to get rid of the sister, we peeked around the depot when we arrived at St. Louis at 4 AM to see if she (her sister) was present. If not, Pat would claim her suitcase, change clothes in the rest room & she and I proceed to a hotel room for a night (years?) of perfect bliss. The sister was not in sight, so She (not the capital) claimed her bag & retired to the toilet to change ---- long dash ----
This next paragraph must, of necessity, be written completely objectively --
Edith (her sister) & Patricia (my love) walked out of the pisshouse hand in hand (I shan't describe my emotions). It seems Edith (bah) arrived at the bus depot early & while waiting for Patricia, feeling sleepy, retired to the head to sleep on a sofa. That's why Pat & I didn't see her.
My desperate efforts to free Pat from Edith failed, even Pat's terror & slave-like feeling toward her rebelled enough to state she must see "someone" & would meet Edith later, all failed. Edith was wise; she saw what was happening between Pat & I.
Well, to summarize: Pat & I stood in the depot (in plain sight of the sister) & pushing up to one another, vowed to never love again & then I took the bus to Kansas City & Pat went home, meekly, with her dominating sister. Alas, alas ----
In complete (try & share my feeling) dejection, I sat, as the bus progressed toward Kansas City. At Columbia, Mo. a young (19) completely passive (my meat) virgin got on & shared my seat ... In my dejection over losing Pat, the perfect, I decided to sit on the bus (behind the driver) in broad daylight & seduce her, from 10:30 AM to 2:30 PM I talked. When I was done, she (confused, her entire life upset, metaphysically amazed at me, passionate in her immaturity) called her folks in Kansas City, & went with me to a park (it was just getting dark) & I banged her; I screwed as never before; all my pent up emotion finding release in this young virgin (& she was) who is, by the way, a school teacher! Imagine, she's had 2 years of Mo. St. Teacher's College & now teaches Jr. High School. (I'm beyond thinking straightly).
I'm going to stop writing. Oh, yes, to free myself for a moment from my emotions, you must read 'Dead Souls' parts of it (in which Gogol shows his insight) are quite like you.
I'll elaborate further later (probably?) but at the moment I'm drunk and happy (after all, I'm free of Patricia already, due to the young virgin. I have no name for her. At the happy note of Les Young's 'jumping at Mesners' (which I'm hearing) I close till later.
William S. Burroughs é uma das principais referências neste espaço de bits. Eis um excerto do seu romance (sim... é um romance) "O Fantasma de Uma Oportunidade".
A edição é da editorial teorema, colecção estórias, tradução de Telma Costa.
Depois do texto de Hunter S. Thompson sobre Richard Nixon, aqui fica um artigo sobre o significado do Gonzo journalism, e porque raio isto tem alguma coisa que ver com a contra cultura.
Hunter S. Thompson uses a unique style of writing he calls Gonzo Journalism. In his book "The Hell's Angels", Thompson deplores a rambling rolling style of writing that sucks in the audience and makes the reader feel as if he or she is actually experiencing the action. Thompson's writing technique requires hands on experience. He lives what he writes. The technique compares to the acting technique known as method acting. Method actors try to become their character to capture the presence of that character. Robert DeNiro in "Raging Bull", Val Kilmer in "The Doors", and Marlon Brando in "Apocalypse Now" used method acting.
Thompson describes in great detail the lives of the Hell's Angels and other so called outlaw motorcycle gangs. He gets into the heads of Sonny Barger, the leader of the Hell's Angels, and several other outlaws. He lets us see things from the Angels point of view; the one point of view never expressed in the mainstream press. Thompson realizes the necessity of uncovering both sides of a story in order for the truth to be revealed. The only way to write truthfully about the Angels is to join them and find out what makes them tick.
The book starts with Thompson weary of his relationship with the Angels, but that soon changes- although he never trusts the Angels. He notes that his friends become used to Hell's Angels hanging around his apartment any time of the day. Thompson drinks and does drugs with the Angels almost daily. He becomes so involved with the Angels that he buys a bike and joins them on several runs. He even helps to avoid a confrontation between the Angels and local town's people by volunteering to go on several beer runs.
Thompson mentions about half way through the book that he feels as if the Angels are sucking him into their lifestyle. He describes the Angels as men who feel lost in the mainstream modern society of high technology and business suits. Thompson comes to enjoy and respect the freedom of the Angels private society that shuns all laws restricting personal freedom.
Thompson eventually gets the hell beat out of him by a couple of Angels. One of the Angels, Tiny, rescues Thompson before he suffers serious injury, but he decides it best to sever his relationship with the group. The beating is unfortunate, but Thompson could not cover the story of the Hell's Angels without becoming personally involved. He never lies to the Angels about being a reporter, and they seem to respect him for his honesty; although the Angels hate reporters for all the bad press they receive. He tries to avoid conflict by blending in with the group and living their lifestyle. He becomes like a fly on the wall observing everything, but not interfering. The style allows Thompson to do something unheard of previously, report truthfully about the Hell's Angels. Thompson's final opinion of the Angels: "I wanted something original, but there was no escaping the echo of Mistah Kurtz's final words from the heart of darkness: 'The horror! The horror! . . . Exterminate all the brutes!'"
Copyright 2002 by PageWise, Inc.
Texto de Hunter S. Thompson ("Fear and Loathing in Las Vegas"), lançado em 16 de Junho de 1994, na revista "Rolling Stone".
O tema: Richard Nixon, após a sua morte.
O grande exemplo do Gonzo journalism.
Richard Nixon is gone now, and I am poorer for it. He was the real thing -- a political monster straight out of Grendel and a very dangerous enemy. He could shake your hand and stab you in the back at the same time. He lied to his friends and betrayed the trust of his family. Not even Gerald Ford, the unhappy ex-president who pardoned Nixon and kept him out of prison, was immune to the evil fallout. Ford, who believes strongly in Heaven and Hell, has told more than one of his celebrity golf partners that "I know I will go to hell, because I pardoned Richard Nixon."
I have had my own bloody relationship with Nixon for many years, but I am not worried about it landing me in hell with him. I have already been there with that bastard, and I am a better person for it. Nixon had the unique ability to make his enemies seem honorable, and we developed a keen sense of fraternity. Some of my best friends have hated Nixon all their lives. My mother hates Nixon, my son hates Nixon, I hate Nixon, and this hatred has brought us together.
Nixon laughed when I told him this. "Don't worry," he said, "I, too, am a family man, and we feel the same way about you."
It was Richard Nixon who got me into politics, and now that he's gone, I feel lonely. He was a giant in his way. As long as Nixon was politically alive -- and he was, all the way to the end -- we could always be sure of finding the enemy on the Low Road. There was no need to look anywhere else for the evil bastard. He had the fighting instincts of a badger trapped by hounds. The badger will roll over on its back and emit a smell of death, which confuses the dogs and lures them in for the traditional ripping and tearing action. But it is usually the badger who does the ripping and tearing. It is a beast that fights best on its back: rolling under the throat of the enemy and seizing it by the head with all four claws.
That was Nixon's style -- and if you forgot, he would kill you as a lesson to the others. Badgers don't fight fair, bubba. That's why God made dachshunds.
Nixon was a navy man, and he should have been buried at sea. Many of his friends were seagoing people: Bebe Rebozo, Robert Vesco, William F. Buckley Jr., and some of them wanted a full naval burial.
These come in at least two styles, however, and Nixon's immediate family strongly opposed both of them. In the traditionalist style, the dead president's body would be wrapped and sewn loosely in canvas sailcloth and dumped off the stern of a frigate at least 100 miles off the coast and at least 1,000 miles south of San Diego, so the corpse could never wash up on American soil in any recognizable form.
The family opted for cremation until they were advised of the potentially onerous implications of a strictly private, unwitnessed burning of the body of the man who was, after all, the President of the United States. Awkward questions might be raised, dark allusions to Hitler and Rasputin. People would be filing lawsuits to get their hands on the dental charts. Long court battles would be inevitable -- some with liberal cranks bitching about corpus delicti and habeas corpus and others with giant insurance companies trying not to pay off on his death benefits. Either way, an orgy of greed and duplicity was sure to follow any public hint that Nixon might have somehow faked his own death or been cryogenically transferred to fascist Chinese interests on the Central Asian Mainland.
It would also play into the hands of those millions of self-stigmatized patriots like me who believe these things already.
If the right people had been in charge of Nixon's funeral, his casket would have been launched into one of those open-sewage canals that empty into the ocean just south of Los Angeles. He was a swine of a man and a jabbering dupe of a president. Nixon was so crooked that he needed servants to help him screw his pants on every morning. Even his funeral was illegal. He was queer in the deepest way. His body should have been burned in a trash bin.
These are harsh words for a man only recently canonized by President Clinton and my old friend George McGovern -- but I have written worse things about Nixon, many times, and the record will show that I kicked him repeatedly long before he went down. I beat him like a mad dog with mange every time I got a chance, and I am proud of it. He was scum.
Let there be no mistake in the history books about that. Richard Nixon was an evil man -- evil in a way that only those who believe in the physical reality of the Devil can understand it. He was utterly without ethics or morals or any bedrock sense of decency. Nobody trusted him -- except maybe the Stalinist Chinese, and honest historians will remember him mainly as a rat who kept scrambling to get back on the ship.
It is fitting that Richard Nixon's final gesture to the American people was a clearly illegal series of 21 105-mm howitzer blasts that shattered the peace of a residential neighborhood and permanently disturbed many children. Neighbors also complained about another unsanctioned burial in the yard at the old Nixon place, which was brazenly illegal. "It makes the whole neighborhood like a graveyard," said one. "And it fucks up my children's sense of values."
Many were incensed about the howitzers -- but they knew there was nothing they could do about it -- not with the current president sitting about 50 yards away and laughing at the roar of the cannons. It was Nixon's last war, and he won.
The funeral was a dreary affair, finely staged for TV and shrewdly dominated by ambitious politicians and revisionist historians. The Rev. Billy Graham, still agile and eloquent at the age of 136, was billed as the main speaker, but he was quickly upstaged by two 1996 GOP presidential candidates: Sen. Bob Dole of Kansas and Gov. Pete Wilson of California, who formally hosted the event and saw his poll numbers crippled when he got blown off the stage by Dole, who somehow seized the No. 3 slot on the roster and uttered such a shameless, self-serving eulogy that even he burst into tears at the end of it.
Dole's stock went up like a rocket and cast him as the early GOP front-runner for '96. Wilson, speaking next, sounded like an Engelbert Humperdinck impersonator and probably won't even be re-elected as governor of California in November.
The historians were strongly represented by the No. 2 speaker, Henry Kissinger, Nixon's secretary of state and himself a zealous revisionist with many axes to grind. He set the tone for the day with a maudlin and spectacularly self-serving portrait of Nixon as even more saintly than his mother and as a president of many godlike accomplishments -- most of them put together in secret by Kissinger, who came to California as part of a huge publicity tour for his new book on diplomacy, genius, Stalin, H. P. Lovecraft and other great minds of our time, including himself and Richard Nixon.
Kissinger was only one of the many historians who suddenly came to see Nixon as more than the sum of his many squalid parts. He seemed to be saying that History will not have to absolve Nixon, because he has already done it himself in a massive act of will and crazed arrogance that already ranks him supreme, along with other Nietzschean supermen like Hitler, Jesus, Bismarck and the Emperor Hirohito. These revisionists have catapulted Nixon to the status of an American Caesar, claiming that when the definitive history of the 20th century is written, no other president will come close to Nixon in stature. "He will dwarf FDR and Truman," according to one scholar from Duke University.
It was all gibberish, of course. Nixon was no more a Saint than he was a Great President. He was more like Sammy Glick than Winston Churchill. He was a cheap crook and a merciless war criminal who bombed more people to death in Laos and Cambodia than the U.S. Army lost in all of World War II, and he denied it to the day of his death. When students at Kent State University, in Ohio, protested the bombing, he connived to have them attacked and slain by troops from the National Guard.
Some people will say that words like scum and rotten are wrong for Objective Journalism -- which is true, but they miss the point. It was the built-in blind spots of the Objective rules and dogma that allowed Nixon to slither into the White House in the first place. He looked so good on paper that you could almost vote for him sight unseen. He seemed so all-American, so much like Horatio Alger, that he was able to slip through the cracks of Objective Journalism. You had to get Subjective to see Nixon clearly, and the shock of recognition was often painful.
Nixon's meteoric rise from the unemployment line to the vice presidency in six quick years would never have happened if TV had come along 10 years earlier. He got away with his sleazy "my dog Checkers" speech in 1952 because most voters heard it on the radio or read about it in the headlines of their local, Republican newspapers. When Nixon finally had to face the TV cameras for real in the 1960 presidential campaign debates, he got whipped like a red-headed mule. Even die-hard Republican voters were shocked by his cruel and incompetent persona. Interestingly, most people who heard those debates on the radio thought Nixon had won. But the mushrooming TV audience saw him as a truthless used-car salesman, and they voted accordingly. It was the first time in 14 years that Nixon lost an election.
When he arrived in the White House as VP at the age of 40, he was a smart young man on the rise -- a hubris-crazed monster from the bowels of the American dream with a heart full of hate and an overweening lust to be President. He had won every office he'd run for and stomped like a Nazi on all of his enemies and even some of his friends.
Nixon had no friends except George Will and J. Edgar Hoover (and they both deserted him). It was Hoover's shameless death in 1972 that led directly to Nixon's downfall. He felt helpless and alone with Hoover gone. He no longer had access to either the Director or the Director's ghastly bank of Personal Files on almost everybody in Washington.
Hoover was Nixon's right flank, and when he croaked, Nixon knew how Lee felt when Stonewall Jackson got killed at Chancellorsville. It permanently exposed Lee's flank and led to the disaster at Gettysburg.
For Nixon, the loss of Hoover led inevitably to the disaster of Watergate. It meant hiring a New Director -- who turned out to be an unfortunate toady named L. Patrick Gray, who squealed like a pig in hot oil the first time Nixon leaned on him. Gray panicked and fingered White House Counsel John Dean, who refused to take the rap and rolled over, instead, on Nixon, who was trapped like a rat by Dean's relentless, vengeful testimony and went all to pieces right in front of our eyes on TV.
That is Watergate, in a nut, for people with seriously diminished attention spans. The real story is a lot longer and reads like a textbook on human treachery. They were all scum, but only Nixon walked free and lived to clear his name. Or at least that's what Bill Clinton says -- and he is, after all, the President of the United States.
Nixon liked to remind people of that. He believed it, and that was why he went down. He was not only a crook but a fool. Two years after he quit, he told a TV journalist that "if the president does it, it can't be illegal."
Shit. Not even Spiro Agnew was that dumb. He was a flat-out, knee-crawling thug with the morals of a weasel on speed. But he was Nixon's vice president for five years, and he only resigned when he was caught red-handed taking cash bribes across his desk in the White House.
Unlike Nixon, Agnew didn't argue. He quit his job and fled in the night to Baltimore, where he appeared the next morning in U.S. District Court, which allowed him to stay out of prison for bribery and extortion in exchange for a guilty (no contest) plea on income-tax evasion. After that he became a major celebrity and played golf and tried to get a Coors distributorship. He never spoke to Nixon again and was an unwelcome guest at the funeral. They called him Rude, but he went anyway. It was one of those Biological Imperatives, like salmon swimming up waterfalls to spawn before they die. He knew he was scum, but it didn't bother him.
Agnew was the Joey Buttafuoco of the Nixon administration, and Hoover was its Caligula. They were brutal, brain-damaged degenerates worse than any hit man out of The Godfather, yet they were the men Richard Nixon trusted most. Together they defined his Presidency.
It would be easy to forget and forgive Henry Kissinger of his crimes, just as he forgave Nixon. Yes, we could do that -- but it would be wrong. Kissinger is a slippery little devil, a world-class hustler with a thick German accent and a very keen eye for weak spots at the top of the power structure. Nixon was one of those, and Super K exploited him mercilessly, all the way to the end.
Kissinger made the Gang of Four complete: Agnew, Hoover, Kissinger and Nixon. A group photo of these perverts would say all we need to know about the Age of Nixon.
Nixon's spirit will be with us for the rest of our lives -- whether you're me or Bill Clinton or you or Kurt Cobain or Bishop Tutu or Keith Richards or Amy Fisher or Boris Yeltsin's daughter or your fiancee's 16-year-old beer-drunk brother with his braided goatee and his whole life like a thundercloud out in front of him. This is not a generational thing. You don't even have to know who Richard Nixon was to be a victim of his ugly, Nazi spirit.
He has poisoned our water forever. Nixon will be remembered as a classic case of a smart man shitting in his own nest. But he also shit in our nests, and that was the crime that history will burn on his memory like a brand. By disgracing and degrading the Presidency of the United States, by fleeing the White House like a diseased cur, Richard Nixon broke the heart of the American Dream.
Diane di Prima foi uma mulher que conviveu nos anos 50 com poetas e artistas da geração Beat americana. Em 1969 escreveu "Memórias de uma beatnik", um relato ultra-erótico que por muitos anos foi apenas um documento undergound. Eis um excerto.
A tradução é de Maria Augusta Júdice para a colecção estórias da Editorial Teorema
As pernas de Billy eram tão bonitas, que adorava passar as mãos pelas suas coxas, introduzir a mão entre elas, sentir o seu rabo macio e musculado. Depois, lentamente, a tremura ia parando à medida que eu aquecia, e parava de tornar o meu corpo tenso de desejo, e eu ficava molhada e abria-me cheia de desejo, e ele entrava em mim. Movíamo-nos juntos na semi-escuridão, devagar e durante muito tempo, saboreando o prazer, construindo-o lentamente muito lentamente, umas vezes formando um ângulo recto com o corpo, outras vezes paralelamente e lado a lado, e outras ainda, por momentos, o Billy em cima de mim ou eu em cima dele.
Por fim, a sua excitação crescia e ele aumentava o ritmo, ou sentava-me em cima dele, empalada pelo seu caralho longo e espesso, e eu sentava-me toda em cima dele, com as pernas enroladas à sua volta e os braços à volta do pescoço, e enquanto o olhava nos olhos e me movia para cima e para baixo no seu colo, ajudada pelos movimentos das suas coxas, vinha-me caindo sobre o seu peito enquanto ele gemia e se debatia, enchendo-me com os seus sucos.
Philip K.Dick
Um excerto de um texto de Terence Mckenna, escrito em 1991, sobre o grande escritor de FC Philip K. Dick.
Does the delusion of one visionary ecstatic validate the delusion of another? How many deluded, or illuminated ecstatics does it take to make a reality? PKD proved that it only takes one. But two is better.
Q) What is Dilaudid?
A) Dilaudid is an analgesic narcotic with an addiction liability similar to that of morphine. It is apparent within 15 minutes and remains in effect for more than 5 hours. Dilaudid is approximately 8 times more potent on a milligram basis than morphine. Often called "drug store heroin" on the streets.
Dilaudid foi a bomba, o prazer máximo de William Burroughs. Eis um excerto de um texto de 1960, assinado por Burroughs, e posteriormente incluído no prefácio de "Naked Lunch - O Festim Nú".
I awoke from The Sickness at the age of forty-five, calm and sane, and in reasonably good health except for a weakened liver and the look of a borrowed flesh common to all who survive The Sickness. . . . Most survivors do not remember the delirium in detail. I apparently took detailed notes on sickness and delirium. I have no precise memory of writing the notes which have now been published under the title Naked Lunch. The title was suggested by Jack Kerouac. I did not understand what the title meant until my recent recovery. The title means exactly what the words say: NAKED Lunch--a frozen moment when everyone sees what is on the end of the fork.
The Sickness is a drug addiction and I was an addict for fifteen years. When I say addict I mean an addict to junk (generic term for opium and/or derivatives including all synthetics from demerol to palfium.) I have used junk in many forms: morphine, heroin, dilaudid, eukodal, pantapon, diocodid, diosane, opium, demerol, dolophine, palfium. I have smoked junk, eaten it, sniffed it, injected it in vein-skin-muscle, inserted it in rectal suppositories. The needle is not important. Whether you sniff it smoke it eat it or shove it up your ass the result is the same: addiction. When I speak of drug addiction I do not refer to keif, marijuana or any preparation of hashish, mescaline, Bannisteria Caapi LSD6 Sacred Mushrooms or any other drug of the hallucinogen group. . . . There is no evidence that the use of any hallucinogen results in physical dependence. The action of these drugs is physiologically opposite to the the action of junk. A lamentable confusion between the two classes of drugs has arisen owing to the the zeal of the U.S. and other narcotic departments.
Old Bull Lee é um personagem do livro "Pela Estrada Fora", onde Jack Kerouac retrata a vida de William Burroughs. O texto que acompanha este post é um excerto do livro, onde é feita a caracterização de Old Bull Lee.
Edição "Colecção Mil Folhas - Público", 2003. Tradução de Armanda Rodrigues e Margarida Vale de Gato.
Seria precisa uma noite inteira para descrever Old Bull Lee; digamos apenas, por agora, que ele era um professor, e pode afirmar-se que ele tinha todo o direito de ensinar porque passava o seu tempo a aprender; e as coisas que ele aprendia eram o que ele considerava serem e a que se chamava "os factos da vida", nos quais se instruía não só por necessidade, mas também porque queria. Arrastara o seu longo corpo esguio por todos os Estados Unidos e a maior parte da Europa e pelo norte de África, no seu tempo, unicamente para ver o que se passava; nos anos trinta, na Jugoslávia, casou com uma condessa russa branca para a safar dos nazis; há fotografias dele com o circuito internacional da cocaína dos anos trinta, tipos de cabeleiras extravagantes encostados uns aos outros; há outras fotografias dele de panamá na cabeça a observar atentamente as ruas de Argel; não tornou a ver a condessa russa branca. Foi exterminador em Chicago, empregado de bar em Nova Iorque, oficial de diligências em Novoark. Em Paris, sentou-se às mesas dos cafés a observar os rostos taciturnos dos franceses que passavam. Em Atenas, ergueu os olhos do seu ouzo para ver as pessoas que considerava as mais feias do mundo. Em Istambul, abriu caminho através de multidões de opiómanos e vendedores de tapetes, à procura dos factos. Em hotéis ingleses, leu Spengler e o marquês de Sade. Em Chicago, planeou assaltar as instalações de um banho turco, hesitou somente dois minutos a mais para beber um copo, e acabou apenas com dois dólares e teve de correr para se escapar. Fez estas coisas todas simplesmente pela experiência em si. Por último, estudava o vício da droga.